We were in a room about the size of a closet, silent, as he was busy working on an ATM….a pretty common, and expectedly awkward, setting in my day-to-day. I surely wasn’t expecting the technician out on a maintenance call at my old job to say something that would stick with me. You never know where you’re going to hear something that really strikes you. I’ll be extending this work for my final, so maybe you’ll see a little more of this soon, ya know, if this doesn’t gross you out too much □ I love it, and I’m even more excited to keep working on this type of imagery. Innocence and Purity, for all the good, new things, untainted by my previous life. Forgiveness, to myself for not doing this sooner. The flower that I chose, Star of Bethlehem, though possessing religious connotations which I didn’t not directly relate to this project, represents all of the things that I imagine this new life, or rebirth, will bring. I think location is meaningful in itself, as many associate this type of wound with self-harm, and in a sense, living the life I was living was doing exactly that, killing me. I chose to place the wound (which was incredibly, surprisingly, easy to make) on my wrist. On the other hand, I was dreaming of a new, beautiful life, and since then, have made large strides to work towards it, and wanted an element which would exemplify that sentiment as well. I needed something visceral, raw, an essentially disgusting, to really describe how difficult things have been. In correlation with this feeling of wanting a new life, and now revisiting it from a perspective of “rebirth”, along with having gone through some major changes, I wanted to be able to express both the pain and beauty in changes simultaneously.Īlthough it may be a little unsettling to look at, I really am in love with the result I achieved. Flowers and nature have always seemed like a great avenue for me to express a lot of complex ideas, and this project made good use of that. Even then, however, I would dream about how great life could be, and what it would feel like to let all the stress and drama of my then current life behind. I wish I could say it was at one of my hardest times, and that things got better from there, but I’m just now starting the incline again. This whole idea started when I first returned back to school, and was debating leaving my old job and finding something that would actually make me happy. I’m really glad I decided to drudge it up and give it a try. It was actually something that I had thought of during one of my film photography classes, but for some reason, filed it away in my “will probably never happen” group of photography ideas. So I dug a little deeper, and this idea came to me, finally. Ah, the blight of wanting models in my photographs. I had a bunch of ideas, but nothing feasible this short notice. All day during my classes I was trying to think of something to do for the next day. The night before I had to bring in “progress”, I still had nothing. So, in wanting to emulate all of them, and not sure how one single idea could encompass that and the parameters of the assignment, I was stuck. Three very different styles, three very different conceptual minds, and three equally awesome artists. Some of my favorites, which you should go check out, were Duane Michaels, David Hockney, and (this one’s a little creepy) Joel-Peter Witkin. Don’t get me wrong, I always appreciate the broad overview of example artists he shows us - they have amazing work. Just as I thought I was getting a grasp on what he was asking for, a whole other group of artists would come up which were completely different, and I would be thrown off again. The examples my professor gave the class were vast, which was equally helpful and harmful. That’s the best explanation I can give for this, because honestly, I had a terrible time thinking of something to do for this project. Playing with the border between truth and fiction. The project that we had for class surrounded the idea of “constructed reality”, or tableau photography - creating a scene, world, scenario which does not occur naturally, but in a strange way, could possibly happen. You know I love it when I can hit two birds with one stone! And even better, it coincided with a project that I was competing for class. It’s a word that has had a particular significance to me over the past two years, so I’m always happy to do some work surrounding this theme. It can mean so many different things in so many different contexts. And I couldn’t be happier to be caught up with a different theme or photo. Can you believe it?! I’m all caught up on this challenge! Who’d a thunk that while amidst the planning of finals and and completing projects that this would be the time I caught up, but here I am.
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